Tag Archives: Publishing

Interrogating the Concept of Categories – an Interview with Lochlann Jain

Stanford University anthropologist and artist, Lochlann Jain, speaks with Anne Brackenbury (former editor at University of Toronto Press who launched the ethnoGRAPHIC Series) to talk about Jain’s new book, Things That Art: A Graphic Menagerie of Enchanting Curiosity.

This debut work of graphic non-fiction offers an opportunity to interrogate the concept of categories using text and image. Jain, a biracial, non-binary, interdisciplinary academic, is used to transgressing boundaries and this book offers a highly original way in which to understand the limits of categories while making visible the things that often get lost between. With over 50 works of original art, each based on fictional categories, and four interpretative essays, the book doesn’t just tell, it shows, in witty and sometimes profound ways, how we make sense of the world around us.


AB: Thanks for sitting down to talk with me. I have been excited about your artwork since you first showed it to me a number of years ago. And I’m thrilled that it will now be available in book form for more people to discover.

One of the book’s greatest strengths is that it is both a conceptual/philosophical exploration, but also seems to have real relevance for the world around us and the times we are currently living through. Who do you think will be drawn (sorry for the pun) to this book and how does it arm them for challenging (or dealing with) the world around them?

LJ: Speaking of goofy puns, the funny thing about this book is that it started as just a joke, really. I was in a faculty meeting doodling; the doodle became my colleague’s nose, and then a bunch of different kinds of noses emerged from my pen, which I put under a heading, “kinds of noses.” Right away with that first collection (my sister’s nose, the nose of wine, a porcine nose, etc.) an implicit set of questions arose: what noses know what, how do we distinguish and recognize noses, who gets to do the recognizing, and so on. It was nearly accidental that I drew the nose – and yet noses turn out to be so rich with meaning. Who knew noses were so political? At the time, drawing offered some solace during an unhappy period. I continued with that series among my other drawings, and over the years I drew over 100 of the Things That collection.

Things That Art both locates and creates frictions in the elements of the drawings: word, illustration, and collection. The goal is to undermine some of the expectations set up by the familiar forms that it builds on – that is, primarily the form of flashcard (word and illustration) and then the museum or zoo (curated collection of similar/related things). Many of the drawings use these elements to create little paradoxes and gaps where not everything matches up. The conceit of the project is that these gaps can shine a light on, and thus get an audience to think with me, about how categories work, and our assumptions about what belongs together and why/how. For example, how is money as a form of the representation of value (and state power) similar to lipstick as a form of representation and value (and gendered relations)? What kind of world/imagination makes these similar?

I found the form of the word/image/collection generative in that it could push a fundamentally poetic project (making connections and leaps among meaning, sound, and the shapes of letters and words) into a visual mode. Things That Art investigates the registers and grammars of naming and abstracting in relation to each other, sometimes in arbitrary ways. The conceptual leaps thus make intuitive before rational sense and can create possibilities for knowing otherwise, disturbing fixed identities, and lateral thinking. At least that’s the aspiration.

AB: I think this is what I found particularly exciting about this work. It doesn’t really ask: Which of these things don’t belong? Instead, it seems to ask: How are these things similar? That is a shift in the way we think, and therefore act, in the world. It suggests we are not individuals at the centre of life, but relational beings who make sense of the world in the way we relate to other beings/things. And as far as I can tell, that is hugely important for understanding how we might approach contemporary problems from climate change to artificial intelligence.

LJ: Wow yes, that’s a really great point. I hadn’t thought of it that way. And in truth, I can’t stand those children’s menu games of which doesn’t belong. This game is much more fun: how can we challenge and provoke new kinds of communities?

AB: So to take an example from the book – you created a collection of images under the label “Sounds like hairspray” which includes things like heresay, heresy, Hemingway, highway, fairway, harpsichord, aerosol, aperol. What prompted you to develop this particular category and how did you come up with these various “things” under this label?

LJ: I found that sets of categories allowed me to look at things slightly askance, and so I informally cast about between drawings to see if I could access a range of those ways of looking. Sounds like hairspray just popped into my mind one day, as did the populating images and terms as something totally random and yet fully belonging to the collection. (For virtually all the cards I just used the first things that popped to mind, though for a few I asked friends and family for suggestions.) With that category, my curiousity was piqued to think about the reliance of category headings in determining our thinking. Consider for example the ways that gender-crossing has been described in different ways since the 1950s, in part influenced by contemporary and shifting notions of “headings” such as gender, biology, and binaries.

Thinking through the work of categories, I also played with vectors, such as negatives or playing with the notion, letters, and sound of “thing.” Another line of investigation considers information that is slightly creepy when listed together (things used to test car safety, or historical techniques of treating drowning victims). Another vector ends up presenting pseudo-information, such as, say, things with epi, which plays with linguistic groupings. And so on!

AB: The drawings in your book are very childlike. They exude a kind of innocence but also that uncensored honesty that children are known for. Was this intended or did it sort of emerge along the way as you started drawing?

LJ: I have a couple of different ways of thinking about this question. First, there is a way in which abstracted knowledge forms are often presented as “elementary” – zoos and flashcards are for children and animals and illustrations are often presented in this naïve or cartoon style. Graphic charts will often simplify information as if the complexities were just noise. So I mimic this style on purpose. Perhaps an analogy to what I’m trying to do could be seen when “wild” things happen at the zoo that make frenzied parents cover their children’s eyes: the snake eats a live chicken whole, or the giraffe drinks the pee of the other giraffe.

Second, I drew this over the course of 8-10 years, and so the style of images progressed with it. I redrew most of the early images that I include in the book, but the curious reader will still be able to divine the timeline of the drawings both conceptually and graphically, and I purposely made that part of the project. The idea is definitely, as you say, to present a straight-forward illustrative framing – even misleadingly simplistic. I think that works for what I am aiming toward with the project in terms of using simplified drawings and words to push the conceptual elements of word and image in various representational economies (art, economics, gender, marketing, grammar, charting, etc.). I’m hoping that in this way the reader will be surprised when they experience the darker and more conceptual elements of the project. Still, if I had continued the series I would have been interested in pushing in different ways on the illustrative dimension to see how to challenge that form. This was perhaps a good indication that this project had reached a natural conclusion.

AB: The use of some more grotesque images and cuss words seems deliberate. Were you wanting to shock the reader or make them laugh or get at something more authentic?

LJ: I have always been interested in how at base, so many insults are simply meaningless – as a person of half-Indian descent, even though my father disavowed everything Indian except the sweets (which I still love), my sisters and I were occasionally called “Paki.” This could be painful even though (a) not strictly true, and (b) not in fact an insult. When we were kids my best friend used to whisper that “bastard” was the absolute worst thing someone could say. Another virtually meaningless word. And once when a kid named Craig was teasing me about my name, my mother suggested I call him “craggy mountain,” which I did. It infuriated him. These swears and insults indicate how language is both meaningless at one level, and extraordinarily active and effective on another. The collection “Things generally used as insults” aims to open this gap between the innocence of the thing that suddenly finds itself exploited as an insult, the word with its different textures and meanings, and the thing we already know or imagine, which is the person to whom the insult is addressed. The purpose then is not really to shock or to make someone laugh, but to crowbar the gap between word, thing, and meaning in a context where there is already only a tenuous relationship.  These words are so often used as linguistic pellets of exclusion, so I wanted to literally draw the odd-balls back into the equation.

I was kind of amazed and intrigued to see how this form I’d developed for the initial nose drawing became so useful as an interpretive and experimental device: I sort of loved seeing what would happen as I kept slotting different ideas through the keyhole.

AB: If you were taking a transatlantic flight, what would you bring with you to read/look at/watch? (Or would you just watch an inflight movie?) 

LJ: My flights are so boring! Once I get over the initial disappointment of no free upgrade, I use the time to catch up on email, write reviews and reference letters, and catch up on other work. I do like watching in-flight movies though because they tend to be better at altitude. I’ve always thought that and someone recently told me that it’s a real thing.

AB: Really? What is it about altitude that makes a movie better??

LJ: Something about being packed in the space with others, the stress, and so on. Maybe the movies aren’t as good in business class because there is more space and fewer people; we’d need to gather some data on that.

AB: Will you ever write a purely textual book again? Or are you hooked on the image/text relationship for good?

LJ: I’m currently working on several projects, and I think the projects tell me what genre they are meant to be, in a way. The history of hepatitis B I’m working on would make a great graphic novel. But there are many fascinating details and a complex argument that lends itself to text. I’m also working on a graphic novel (for lack of better word) called My Failed Transition, about the weird and wonderful aspects of a gender non-binary existence. Finally, I’ve been working on a series of drawings related to the history of technology and discovery of air.

AB: Some people think you can make complex theoretical arguments in the context of a graphic novel but I get that text is sometimes the most appropriate format to work out a theory or argument. Once it is worked out though, a graphic novel of hepatitis B would be wonderful! Don’t rule it out. And a graphic novel on your transition would be more than welcome as well. I assume the graphic novel is a natural fit because of the growing interest in graphic memoir and its ability to capture memory and experience more viscerally?

LJ: Note the book is on my Failed Transition, that’s a crucial point but I’m not sure why yet. It’s still in process as an idea, but the goal will be to experiment with text and images in new ways and work out the ideas that way. I don’t think graphic memoir is any more visceral than words per se, it’s more about the fit among ideas and author. I will always be a huge proponent and admirer of words and text. In my view it’s tragic that in general people don’t read as much. Many of the social and even academic conversations I used to have about books are now about Netflix.

AB: So do you think scholarly communication is changing with the growth of the digital humanities, comics, podcasts, games, and other multimodal formats?

LJ: It’s an exciting time to be an academic in the sense that there are spaces and opportunities to do more innovative and experimental work. When I first started in the academy about 25 years ago, the questions (and answers) were more staid and uninteresting; this wasn’t because  they had to be textual, but because of the self-generated ideas for evaluation which were based less on originality and rigor than on disciplinary canons. Stanford asked me to resign three or four years after I was hired because my colleagues didn’t consider my first book to be anthropological enough, though they had hired me, technically, as an STS scholar and supposedly read the dissertation on which the book was based. Since I was in the middle of cancer treatment and had two small children, I realized in a very deep way how excruciatingly vulnerable scholars are to the judgements and tastes of senior academics and so how beholden we are to try to second-guess what they might want. For those institutional reasons it has been tremendously difficult to open the academy up to new questions and forms of investigation. But I see a change with the current generation of now senior professors more open to seeing and appreciating new kinds of work. Or maybe that’s just the small academic world in which I travel.

AB:  I think it’s more than just the world in which you travel. I believe the academy is making changes (albeit small changes) as the world around it changes. Things That Art is a book about categories that is not easy to categorize. If you were a bookseller and had to file this away in a particular section, which would you choose?

LJ: I’d probably file it with art books or graphic novels. I think it would appeal to folks who like to look at, and think with, pictures and I’m super excited to see where the popularity of this genre will go – I think there is so much untapped potential to work with word-concept-image that is just now being explored, and I envision that we will come up with a series of new terms that expand the graphic novel category: graphic biography, philosophy, memoir, etc.

AB: Yes there are many different genres emerging with forms like graphic medicine, graphic journalism, and of course, graphic memoir, but I like the way Things That Art charts its own space in that growing field as a graphic philosophy of sorts that uses the medium in a highly original way to show and tell how we sort information, thoughts, and concepts.  

So who do you see as the audience for this book? Scholars? Artists? Students? The general public?

LJ: Which categories of people will like the book? I sense a new card to be drawn!!

But seriously, one of the things I appreciate about the project now that it has been put together as a collection, is that I keep finding new ways into it, and it keeps surprising me. I’ve been thinking for example about how the range of representation works across the collection: charts, maps, graphics, dollar bills, diagrams, etc. … how do things that are already representations of things operate as things? I discuss some of that in my essay, but there is more there to mine. So I guess the point is that I can still entertain myself with my little paper mates, and the ability to self-entertain is a crucial part of living a happy life.

AB: Thanks for speaking with me. I’m excited to see how people respond to Things That Art. And I’m excited to see where your interest in art/visual formats and your scholarly research go in the future.

LJ: It has been great!! Thank you for all you have done to spearhead new work thinking across genres.


Lochlann Jain is a professor in the Department of Anthropology at Stanford University and a professor in the Department of Global Health and Social Medicine at King’s College London.

Want to learn more from Things That Art?

  • Purchase your copy of the book.
  • Read an exclusive excerpt from the book.

Unpacking the Everyday

Newly released from UTP, Power and Everyday Practices, Second Edition is an innovative text that provides undergraduate students with tools to think sociologically through the lens of everyday life. In this post, the authors explain the book and why they encourage students to turn their social worlds inside out and explore alternatives to the dominant social order.


By Deborah Brock, Aryn Martin, Rebecca Raby, and Mark P. Thomas.

Our new book Power and Everyday Practices, Second Edition encourages students to explore everyday practices that are familiar and that might, at first glance, seem benign: online shopping, using a credit card, buying a cup of coffee, even taking an online quiz. By “everyday” we mean the practices that are a part of people’s commonplace and taken-for-granted activities. But people’s everyday activities reflect, reproduce, and sometimes challenge a wide range of power relations. In Power and Everyday Practices, Second Edition we will encourage you to ask questions about these kinds of practices. We ask how: How are everyday occurrences connected to the social organization of power? How are gender, class, race, citizenship and age shaped and reflected in many such taken-for-granted practices? How are the goods that we are buying produced, and by whom? How do practices such as travelling, shopping, and getting a credit card reflect and reproduce power, even creating our very sense of who we are? We also address the why questions that these examples will no doubt bring to mind: Why are certain patterns of consumption encouraged and facilitated? And who benefits from these patterns?

For example, even that café latte some cherish as an everyday ritual reflects a geography, history, and economy of power relations. These relations become visible when we begin to study where coffee beans come from, who grows and harvests them, how they come to be ground and sold in drinks, and how they are marketed to the North American consumer. The choice to buy a cup of coffee— including what kind of coffee and where it is bought—is a practice embedded in a global web of power relations. The places we shop, the products we buy, and the websites we visit are all a part of a system of consumption that links us to people, places, and things that seem very distant from our own lives.

We ask students to explore popular culture and mass media to understand how they are permeated with power relations: selling certain kinds of images, promoting individualized self-improvement, cultivating desires that support a consumer culture, and through these practices, reproducing power relations of race, gender, heterosexuality, ability, and a narrow concept of beauty. How are we pressured to try to shape ourselves to better fit a presumed ideal?

The chapters in this textbook address the diverse power relations embedded in such everyday objects and practices. They complicate objects and practices that many of us take for granted and offer new, sometimes unsettling ways of thinking about them. They illustrate how a cup of coffee is never just a cup of coffee and why a quiz is never just a quiz. When we begin to examine everyday objects and practices in this way, we also begin a process of “unpacking the centre.”

Most sociological textbooks do not directly investigate what we will refer to here as the centre. It is much more common for them to analyze social deviance through the lens of the normative social order, or to focus on what happens to people who exist at the margins: the racialized, the colonized, the so-called sexual “minorities,” the poor, and so on. Some scholars have instead focused on studying the centre in order to develop a more comprehensive understanding of how power relations are organized. They “unpack” the centre—just like taking apart a piece of mechanical equipment—in order to find out how it works. To focus almost exclusively on the deviant or the marginalized without interrogating the centre is to risk reproducing a pattern that defines the margins as the location of the problem.

For example, we think it imperative to conduct sociological research on same-gender sexuality in order to document the forms of systemic and attitudinal inequality that marginalize people because of their sexual desires and practices. However, when scholars focus on same-gender sexuality while ignoring the social construction of heterosexuality, we continue to name same-gender attraction, including being gay, lesbian or bisexual as, in effect, the problem for sociological inquiry, even though our objective may be to explain why these forms of sexuality should not be considered a problem. Heterosexuality is able to maintain its privileged position as the normal and natural form of sexual expression.  The binary two-gender system is another way in which our relation to ourselves and others is normatively, and narrowly, organized. Yet this system de-legitimates or erases a vast array of possibilities for living one’s life. Why the insistence that there are only two genders, when they limit possibilities for so many of us, and substantial numbers of people refuse to be contained by them?  Whiteness is another social characteristic that occupies the centre. Academic and public accounts of racism commonly focus on the impact of racism on people of colour, and ignore the social construction of whiteness and the relations of power and privilege connected to whiteness. The social organization of whiteness, however, is an important part of practices of racialization and the problems of racism. Racism is also perpetuated when those who occupy the centre fail to acknowledge systematic historic and current racial and cultural ideas and practices that are deeply connected to colonialism and the marginalization of Indigenous peoples.

This approach to studying the social organization of everyday objects and practices draws attention to what sociologists have long referred to as patterns of social inequality. We are interested in power primarily because of the ways it produces and sustains inequalities between social groups. We do not, however, simply focus on patterns of social inequality as the outcome of power. While themes of inequality are certainly present in the chapters in this book, our approach seeks to understand the social organization of dominant power relations in terms of the ways in which these power relations shape both broad patterns of inequality and everyday experiences. In other words, we do not simply aim to document different levels of socioeconomic status, as stratification theorists often do (Aronowitz 2003); rather, we are interested in the social relations that produce and reproduce the “normal,” the dominant, and the “centre.” This means our analysis focuses on understanding relationships between social processes, social groups, and individuals as they live their daily lives.

To unpack the centre is to explore the taken for granted features of dominant forms of social organization. It is the most difficult to see that a centre exists when you occupy it— for example, when you are white, heterosexual, a citizen, or someone with an ample secure income. It is not so difficult when you are an Indigenous person, a non-citizen, do not identify as straight, are racialized, or are in some way minoritized. We want you to become particularly aware of the ways in which centuries of colonization have placed the descendants of colonizers in a position of assumed ownership of the homelands of Indigenous peoples, for which they typically never ceded title. Finally, the experiences of migrant workers reveal how citizenship and national belonging are part of the centre, even while they might wish such acceptance for themselves. In Power and Everyday Practices, Second Edition we aim to show how these active and ongoing social processes are integral to everyday life.


Want to learn more from Power and Everyday Practices, Second Edition?

  • Purchase your copy of the book.
  • Read an exclusive chapter.
  • Email us at requests@utorontopress.com to request exam or desk copies of this or any other UTP title. Please be sure to include the course name and number, start date, and estimated enrollment.

Deborah Brock is an associate professor in the Department of Sociology at York University.

Aryn Martin is an associate professor in the Department of Sociology at York University.

Rebecca Raby is a professor in the Department of Child and Youth Studies at Brock University.

Mark P. Thomas is an associate professor in the Department of Sociology at York University.

Pride Month: Course Syllabi Featuring UTP Titles

Pride Month

To celebrate Pride Month, we have developed a blog series with weekly posts, designed to allow UTP authors the opportunity to share with us what Pride means to them, and to discuss a whole manner of Pride-related topics.

This week we’re showcasing UTP books that have made their way onto recent course syllabi. Read on to see how our books are used in undergraduate classroom across North America.


Prairie Fairies: A History of Queer Communities and People in Western Canada, 1930-1985

Prairie Fairies draws upon a wealth of oral, archival, and cultural histories to recover the experiences of queer urban and rural people in the prairies. Focusing on five major urban centres (Winnipeg, Saskatoon, Regina, Edmonton, and Calgary), Prairie Fairies explores the regional experiences and activism of queer men and women by looking at the community centres, newsletters, magazines, and organizations that they created from 1930 to 1985.

  • Winner of the CHA 2019 Clio Prairies Book Award
  • Winner of the Jennifer Welsh Scholarly Writing Award (Saskatchewan Book Awards)

 

Course

Canadian Women’s and Gender History (HI 397), Wilfrid Laurier University, Brantford, ON

Professor Tarah Brookfield lists Prairie Fairies as one out of three options for a book review assignment.

“This course explores the history of Canadian women from the colonial period until the end of the twentieth century. It compares women’s diverse historic experiences in the workplace, family, community, and nation, and how women’s and men’s identities and paths were shaped by social constructions of gender, race, sexuality, and class. The course also considers how historians have developed the field of women’s and gender history and how this has reshaped understandings of Canadian history.”


Queering Urban Justice: Queer of Colour Formations in Toronto

Queering Urban Justice foregrounds visions of urban justice that are critical of racial and colonial capitalism, and asks: What would it mean to map space in ways that address very real histories of displacement and erasure? What would it mean to regard Queer, Trans, Black, Indigenous, and People of Colour (QTBIPOC) as geographic subjects who model different ways of inhabiting and sharing space?

Course

Urban Politics (PO 412), John Carroll University, University Heights, OH

Professor Elizabeth A. Stiles recommends Queering Urban Justice to students in this course.

“Most Americans live in metropolitan areas—either in a city or in a suburb based in relation to a city. The city is often the background for the American dream as opportunities for social mobility and wealth are present there. It is also the site for some of our sharpest failures as a nation—rising inequality, urban riots, and environmental problems. In this course, we will begin with various theories and evidence about urban politics and their surrounding suburbs. We will then analyze links between urban institutions and national politics, as well as issues of race, class, health disparities, and environmental issues.”


Sex and the Weimar Republic: German Homosexual Emancipation and the Rise of the Nazis

Liberated, licentious, or merely liberal, the sexual freedoms of Germany’s Weimar Republic have become legendary. The home of the world’s first gay rights movement, the republic embodied a progressive, secular vision of sexual liberation. Sex and the Weimar Republic examines the rise of sexual tolerance through the debates which surrounded “immoral” sexuality: obscenity, male homosexuality, lesbianism, transgender identity, heterosexual promiscuity, and prostitution.

Course

Modern German History – The Weimar Years (HIST 196G), University of California, Santa Cruz, CA

Professor Edward Kehler teaches this course and each week students are asked to discuss a particular reading. In Week 7, students focus on Sex and the Weimar Republic.

“The class is designed as a small-group discussion course providing a broad overview of some of the major historiographical debates concerning the Weimar period. Through the readings we will analyze modern Germany’s experiment with democracy and its failure. Subjects of study will include the foundation and development of the Weimar Republic, the political and economic challenges it faced, and its ultimate collapse. Aspects of Weimar culture, including gender politics and homosexual emancipation, and the factors that enabled Adolf Hitler’s seizure of power will also be covered in depth.”


Consider adding these titles to your course syllabi:

VIVA M•A•C: AIDS, Fashion, and the Philanthropic Practices of M•A•C Cosmetics

The first cultural history of the iconic brand M·A·C Cosmetics, VIVA M·A·C charts the evolution of M·A·C’s revolutionary corporate philanthropy around HIV/AIDS awareness. Drawing upon exclusive interviews with M·A·C co-founder Frank Toskan, key journalists, and fashion insiders, Andrea Benoit tells the fascinating story of how M·A·C’s unique style of corporate social responsibility emerged from specific cultural practices, rather than being part of a strategic marketing plan.


Amplify: Graphic Narratives of Feminist Resistance

In this highly original text—a collaboration between a college professor, a playwright, and an artist—graphic storytelling offers an emotionally resonant way for readers to understand and engage with feminism and resistance.

“This is the book for you if you have ever struggled to reconcile the academic, artistic, and activist sides of yourself: it combines feminist analysis and history with compelling discussion questions and striking illustrations of recent political struggles. This is the book for you if you are ready to learn about social justice in a fresh way that engages multiple learning styles and modes of expression: lead a class or a discussion group by showing an image, posing a debate question, reading an excerpt, or pursuing one of the research activities provided. This is the rare book that treats its readers as equals by showing us all how we can join the conversation and take up the struggle.”

Lucas Crawford, Department of English, University of New Brunswick


Growing into Resilience: Sexual and Gender Minority Youth in Canada

Despite recent progress in civil rights for sexual and gender minorities (SGM), ensuring SGM youth experience fairness, justice, inclusion, safety, and security in their schools and communities remains an ongoing challenge. In Growing into Resilience, André P. Grace and Kristopher Wells investigate how teachers, healthcare workers, and other professionals can help SGM youth build the human and material assets that will empower them to be happy, healthy, and resilient.


Homophobia in the Hallways: Heterosexism and Transphobia in Canadian Catholic Schools

In Homophobia in the Hallways, Tonya D. Callaghan interrogates institutionalized homophobia and transphobia in the publicly-funded Catholic school systems of Ontario and Alberta. Featuring twenty interviews with students and teachers who have faced overt discrimination in Catholic schools, the book blends theoretical inquiry and real-world case study, making Callaghan’s study a unique insight into religiously-inspired heterosexism and genderism. She uncovers the causes and effects of the long-standing disconnect between Canadian Catholic schools and the Charter by comparing the treatment of and attitudes towards lesbian, gay, bisexual, transgender, and queer teachers and students in these publicly-funded systems.


Pink Blood: Homophobic Violence in Canada

Pink Blood is the first book to analyze homophobic violence on a national scale. Douglas Victor Janoff uses social theory, legal analysis, descriptive case studies, and interviews with victims, activists, and police officers from thirty cities to convey the shattering impact this violence has had on queer Canadians and on the communities they inhabit.

Drawing from a wide range of scholarship—law, criminology, sociology, psychology, philosophy, and social work—Pink Blood is an important addition to the literature on queer life in Canada from a respected researcher and community activist.

The End of Pride?

Pride Month

To celebrate Pride Month, we have developed a blog series with weekly posts, designed to allow UTP authors the opportunity to share with us what Pride means to them, and to discuss a whole manner of Pride-related topics.

Our first contribution to the series comes from author André P. Grace, who alongside Kristopher Wells wrote Growing Into Resilience, (University of Toronto Press, 2015). In this post entitled The End of Pride?, Grace summarizes what has happened since Growing Into Resilience was published, and discusses his own experiences of Pride, the role of police within Pride, his opinion on Pride as it stands today, and what the future of Pride might look like.


Growing into Resilience: Sexual and Gender Minority Youth in Canada focuses on the comprehensive health, educational, and cultural concerns of sexual and gender minority (SGM or LGBTTIQQ2SA) youth and young adults in our country. The book accentuates the importance of having a team of caring professionals to provide wraparound services to SGM youth and young adults, especially those experiencing persistent adversity and trauma. In 2014, to serve this population, I initiated the Chew – community ~ hope ~ empowerment ~ wellness – Project in Edmonton. When I think about holistic intervention and outreach to recognize and accommodate the young people we serve, I focus on how educators, social workers, cousellors, nurses, and police officers can work collaboratively to meet their needs, especially when they are homeless and street-involved.

From the beginning, the Chew Project has partnered with Edmonton Police Service in our work to solve social problems, address survival crimes, and support SGM young people as one of Edmonton’s most vulnerable and targeted populations. Units assisting the Chew Project include the Hate Crimes Unit, the Human Trafficking and Exploitation Unit, the Edmonton Drug and Gangs Unit, Beats, the SRO (School Resource Officer) Program, and Victim Services. When I think about what Pride means to me, and what my book says about the collective efforts of caring professionals including police officers to assist SGM youth and young adults presenting multiple needs, I cannot help but think about the exclusion of police officers from Pride parades at a time when I rely on this key caring professional constituency to help the Chew Project make life better now for the SGM young people we serve.

I attended my first gay Pride parade in Toronto in 1993. As a gay man who had grown up in a fishing village in Newfoundland where homophobia was a dark shadow that started following me in junior high school, the experience of being in a sea of queers was exhilarating. Clearly, I wasn’t the only queer in the village. Indeed, on that Pride parade day, Toronto’s gay village provided me with the community I had desired from the moment I self-affirmed my gayness as a young boy. That Pride experience happened five years before the 1998 Supreme Court of Canada decision in Vriend v. Alberta, which granted equality rights to lesbian and gay Canadians. In the spirit of the Charter as a living document, all sexual and gender minorities in Canada are now protected against discrimination on grounds of sexual orientation and gender identity and expression in Section 15, which guarantees equality rights.

Since 1993 I have attended many Pride parades in cities across Canada. For me, these parades have signified the importance of deliberately coming together to recognize and celebrate sexual and gender diversity. They have also marked a space and time to politicize the importance of accommodating sexual and gender minorities in law and legislation (as a matter of protection) and in social institutions and communities (as a matter of inclusion in everyday life). Indeed, such signification undergirds what has long been termed the gay agenda, which is about presence, place, and protection of all sexual and gender minorities in intersections with culture and geography as well as with relational differences including race, class, ethnicity, age, and ability.

In recent years, there has been erosion of the gay agenda and what Pride is all about. Sadly, much of that erosion has emanated from what used to be the gay or queer community itself. Indeed, such a community is now a fiction, and it appears the enemy lies within. Our former community is presently marked by dissention, segregation, fear, and exclusion. There are those with particular motives and intentions that often sideline core sexual and gender minority issues and concerns, which homo/bi/transphobes in culture and society still position in conservative moral and political terms in their efforts to defile and erase us. As we cannibalize our own, we place ourselves at risk of erosion from within. This gives ground to rightist erosion of all things queer, gay, or however one chooses to name sexual and gender differences.

In a watershed moment for sexual and gender minorities as a diverse population in Canada, Black Lives Matter constituents temporarily disrupted the 2016 Toronto Pride parade to contest issues including police presence in the parade. What happened at Pride in Toronto that year has had sustained repercussions for Pride parades across Canada. For example, 2017 was marked by restrictions or bans affecting many police services, with division characterizing deliberations regarding Pride. In that year, members of Toronto Police Service were absent from Toronto’s parade. In Edmonton, at a time when the police service was actively recruiting sexual and gender minorities to become police officers, members of Edmonton Police Service did march in uniform, despite controversy. Calgary Police Service decided to participate in Calgary’s parade, but respected the Calgary Pride committee’s request for police officers to march out of uniform. Prior to this, Calgary police officers had always made the personal decision to march in uniform, with the backing of the police service. This right to choose would have been particularly poignant for sexually and gender diverse police officers and other service staff who wanted to intersect the personal and the professional. Sadly, such professional erasure ignored long-term relationship building between law enforcement and Calgary’s sexual and gender minority constituencies, which was part of efforts to transgress a history of harm at the hands of police officers. It also ignored a police-service emphasis on training new recruits to provide policing inclusive of sexual and gender minorities and other minorities across racial, cultural, and other differences. At the time, Calgary Police Service had ongoing and open dialogue with two advisory boards. One board was composed of sexual and gender minority citizens while the other was made up of the police service’s sexual and gender minority employees.

I once interviewed a young gay male who was a beginning teacher working in a primary classroom. He had placed a picture of his partner on his desk, an act that courageously intersected the personal and the professional. This is something I could never have done as a teacher working in schools in the 1980s. As Dr. Blye Frank, Dean, Faculty of Education, University of British Columbia, reminds us, sexual minority teachers have had to work to hide and hide to work. Importantly, Vriend paved the way for greater sexual and gender minority inclusion in law, legislation, and institutional policymaking in our nation. Yet, while teachers like me used to hide the personal to be professional, in a twist in recent years, Pride committees have directed police officers across sexual and gender identities to hide the professional. This assaults the notion of Pride, which must be about being visible as whole human beings who can freely intersect the personal and the professional. In post-Charter Canada, sexual and gender minority police officers have every right to march openly as complete persons in parades.

Kathleen A. Lahey, Professor, Faculty of Law, Queen’s University, spoke about the historical exclusion of sexual and gender minorities from police services, the teaching profession, and other civil appointments in her influential book entitled Are We ‘Persons’ Yet? As Lahey recounts, sexual and gender minorities have been historically excluded from all kinds of public positions. Now, with Edmonton Police Service, among other police services, transgressing this history of exclusion, we have to ask what damage is being done to inclusivity by those wanting to ban sexual and gender minority police officers from marching in uniform.

In his groundbreaking book Pedagogy of the Oppressed, the great Brazilian educator Paulo Freire asks us to consider a key question: When do those who are oppressed become oppressors? This question demands reflection by Pride organizers in any Canadian city where sexual and gender minority and allied police officers are excluded from marching in uniform in Pride parades. To move the gay or queer civil rights movement to a more inclusive stage, Pride organizers might remember that marching in uniform is a visible reminder that these police officers are out and proud, transgressing a history of defilement and exclusion.

I truly hope Pride is not dead. And I hope it is not reduced to a historical moment, or to a stressor or trigger for sexual and gender minorities navigating the present moment. However, I am conflicted. Sexual and gender minorities have long lived with a history of fear. If that history now includes the emergence of new fears propagated by angry sexual and gender minority constituencies targeting others in a dissolving community, maybe Pride should die. But maybe some new form of Pride can arise like a phoenix from the ashes of Pride wildfires that started in 2016. I hope so for the sakes of older queers who took part in the struggle for gay liberation and younger queers still struggling for presence and place in their families, schools, and communities.


André P. Grace is Canada Research Chair in Sexual and Gender Minority Studies and a professor in the Department of Educational Psychology at the University of Alberta.

Academic website with contact info: https://www.andrepgrace.com

Community website: https://chewprojectyeg.org/

 

Announcing Some of Our Major Award Winners

Congress 2019 is now nearing the finishing line, and we are proud to announce that our authors are taking home some important book awards. So with that in mind, we thought we would pull together a list of some our major award recipients during Congress, and over the past few months. Scroll down to see some of the recipients, as we send out a big congratulations to our authors for their achievements.


Canadian Historical Association

Winner of the CHA 2019 Clio Prairies Book Award

Prairie Fairies: A History of Queer Communities and People in Western Canada, 1930-1985 by Valerie J. Korinek

Prairie Fairies draws upon a wealth of oral, archival, and cultural histories to recover the experiences of queer urban and rural people in the prairies. Focusing on five major urban centres, Winnipeg, Saskatoon, Regina, Edmonton, and Calgary, Prairie Fairies explores the regional experiences and activism of queer men and women by looking at the community centres, newsletters, magazines, and organizations that they created from 1930 to 1985.

Also a winner of the 2019 Jennifer Welsh Scholarly Writing Award on behalf of the Saskatchewan Book Awards.


 Winner of the CHA 2019 Clio Ontario Book Award

One Job Town: Work, Belonging, and Betrayal in Northern Ontario by Steven High

There’s a pervasive sense of betrayal in areas scarred by mine, mill, and factory closures. Steven High’s One Job Town delves into the long history of deindustrialization in the paper-making town of Sturgeon Falls, Ontario, located on Canada’s resource periphery. One Job Town approaches deindustrialization as a long term, economic, political, and cultural process, which did not begin and simply end with the closure of the local mill in 2002.

Also a winner of the 2018 OHS Fred Landon Award.


Winner of the CHA 2019 Best Political History Book Prize Award

Selling Out or Buying In?: Debating Consumerism in Vancouver and Victoria, 1945-1985 by Michael Dawson

Selling Out or Buying In? is the first work to illuminate the process by which consumers’ access to goods and services was liberalized and deregulated in Canada in the second half of the twentieth century. Michael Dawson’s engagingly written and detailed exploration of the debates amongst everyday citizens and politicians regarding the pros and cons of expanding shopping opportunities challenges the assumption of inevitability surrounding Canada’s emergence as a consumer society.


Canadian Sociological Association

Winner of the CSA 2019 John Porter Tradition of Excellence Book Award

Regulating Professions: The Emergence of Professional Self-Regulation in Four Canadian Provinces by Tracey L. Adams

In Regulating Professions, Tracey L. Adams explores the emergence of self-regulating professions in British Columbia, Ontario, Quebec, and Nova Scotia from Confederation to 1940. Adams’s in-depth research reveals the backstory of those occupations deemed worthy to regulate, such as medicine, law, dentistry, and land surveying, and how they were regulated.


Canadian Association for Work & Labour Studies

Winner of the CAWLS 2019 Book Prize

Working towards Equity: Disability Rights Activism and Employment in Late Twentieth-Century Canada by Dustin Galer

In Working towards Equity, Dustin Galer argues that paid work significantly shaped the experience of disability during the late twentieth century. Using a critical analysis of disability in archival records, personal collections, government publications, and a series of interviews, Galer demonstrates how demands for greater access among disabled people for paid employment stimulated the development of a new discourse of disability in Canada.


Canadian Political Science Association

Loleen Berdahl, Winner of the 2019 CPSA Prize for Teaching Excellence

Work Your Career: Get What You Want from Your Social Sciences or Humanities PhD, by Loleen Berdahl and Jonathan Malloy

Work Your Career shows PhD students how to use the unique opportunities of doctoral programs to build successful career outcomes. The authors encourage students to consider both academic and non-academic career options from the outset, and to prepare for both concurrently. The book presents a systematic mentoring program full of practical advice for social sciences and humanities PhD students in Canada.


Other Recent Award Winners

Winner of the 2019 JW Dafoe Book Prize

Power, Politics, and Principles: Mackenzie King and Labour, 1935-1948 by Taylor Hollander

Set against the backdrop of the U.S. experience, Power, Politics, and Principles uses a transnational perspective to understand the passage and long-term implications of a pivotal labour law in Canada. Utilizing a wide array of primary materials and secondary sources, Hollander gets to the root of the policy-making process, revealing how the making of P.C. 1003 in 1944, a wartime order that forced employers to the collective bargaining table, involved real people with conflicting personalities and competing agendas.


Winner of the 2019 Pierre Savard Award for Outstanding Scholarly Monograph in French or English on a Canadian Topic

A Culture of Rights: Law, Literature, and Canada by Benjamin Authers

In A Culture of Rights, Benjamin Authers reads novels by authors including Joy Kogawa, Margaret Atwood, Timothy Findley, and Jeanette Armstrong alongside legal texts and key constitutional rights cases, arguing for the need for a more complex, interdisciplinary understanding of the sources of rights in Canada and elsewhere. He suggests that, at present, even when rights are violated, popular insistence on Canada’s rights-driven society remains.


Winner of the 2018 Michelle Kendrick Memorial Book Prize awarded on behalf of the Society for Literature, Science, and the Arts

Measured Words: Computation and Writing in Renaissance Italy by Arielle Saiber

Measured Words investigates the rich commerce between computation and writing that proliferated in fifteenth- and sixteenth-century Italy. Arielle Saiber explores the relationship between number, shape, and the written word in the works of four exceptional thinkers: Leon Battista Alberti’s treatise on cryptography, Luca Pacioli’s ideal proportions for designing Roman capital letters, Niccolò Tartaglia’s poem embedding his solution to solving cubic equations, and Giambattista Della Porta’s curious study on the elements of geometric curves.


Winner of the 2018 American Association for Ukrainian Studies Book Prize

Imperial Urbanism in the Borderlands: Kyiv, 1800-1905 by Serhiy Bilenky

In Imperial Urbanism in the Borderlands, Serhiy Bilenky examines issues of space, urban planning, socio-spatial form, and the perceptions of change in imperial Kyiv. Combining cultural and social history with urban studies, Bilenky unearths a wide range of unpublished archival materials and argues that the changes experienced by the city prior to the revolution of 1917 were no less dramatic and traumatic than those of the Communist and post-Communist era.


Winner of the 2018 American Association for Ukrainian Studies Book Prize for Translation

My Final Territory: Selected Essays by Yuri Andrukhovych, edited by Michael M. Naydan, and translated by Mark Andryczyk and Michael M. Naydan

My Final Territory is a collection of Andrukhovych’s philosophical, autobiographical, political, and literary essays, which demonstrate his enormous talent as an essayist to the English-speaking world. This volume broadens Andrukhovych’s international audience and will create a dialogue with Anglophone readers throughout the world in a number of fields including philosophy, history, journalism, political science, sociology, and anthropology.


Winner of the 2018 Research Society for American Periodicals Book Prize

American Little Magazines of the Fin de Siecle: Art, Protest, and Cultural Transformation by Kirsten MacLeod

In American Little Magazines of the Fin de Siecle, Kirsten MacLeod examines the rise of a new print media form – the little magazine – and its relationship to the transformation of American cultural life at the turn of the twentieth century. MacLeod’s study challenges conventional understandings of the little magazine as a genre and emphasizes the power of “little” media in a mass-market context.